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Film, Form, and Culture
This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative.Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture.Over 265 images provide a visual index to the films and issues being discussed.This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). This textbook is an invaluable and exciting resource for students beginning film studies at undergraduate level. Additional resources for students and teachers can be found on the eResource, which includes case studies, discussion questions, and links to useful websites.
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Li: Dynamic Form in Nature
Why does Nature use the same special patterns over and over again? What are the main families of natural design? How are they formed? Did the ancient Chinese really study this subtle and elegant subject? In this beautiful book, illustrated by the author, a new perception of organic pattern, 'Li', is presented for the first time in the West. Essential reading for designers, artists, philosophers and natural scientists. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.
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Comics and Modernism : History, Form, and Culture
Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century.In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism.Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies.Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics.Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field.Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements.Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements.
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Zodiac : An Exploration into the Language of Form, Gesture and Colour
From ancient times, people had knowledge of the zodiac's intimate involvement in the creation of physical life.They understood that the twelve realms of constellations of fixed stars in the sky emanated specific forces that were brought to life and movement by the planets.These spiritual energies created and formed all living beings on earth - including, of course, the human being.This traditional awareness has been reenlivened and given new meaning in our time through Rudolf Steiner's anthroposophy.Steiner gave specific indications involving twelve individual gestures and colours that depict the forces of the twelve zodiacal regions. In this richly-illustrated collation of original artistic research - which features exciting new work on the zodiac via the mediums of sculpture, graphics and painting - these new insights are explored and illumined in twenty-seven essays and numerous full-colour images.Led by editor Gertraud Goodwin, the various contributing artists offer a rich tableau of authentic, individual approaches to understanding the zodiac, throwing light on the vast realm of creative forces around us whilst acknowledging their primary source. 'From the many relationships to other qualities, like the consonants, virtues, areas of the human body, colours, eurythmy gestures, elements (earth, water, air, fire), musical keys and many more, in which the zodiacal forces express themselves as if through different instruments, a harmony begins to emerge, which informs me of an ever rounder picture of one particular force of the Zodiac.' - Gertraud Goodwin
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Is culture a form of nature?
Culture is not a form of nature, but rather a product of human society. While culture can be influenced by nature and the environment, it is distinct in that it is created, shared, and passed down through generations by humans. Nature refers to the physical world and natural phenomena, while culture encompasses the beliefs, customs, arts, and social behaviors of a particular group of people.
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How can one forget culture and heritage?
One can forget culture and heritage by not actively engaging with it, by being disconnected from one's roots and community, and by prioritizing other aspects of life over preserving and celebrating one's cultural identity. This can happen through assimilation into a different culture, lack of exposure to one's own cultural traditions and practices, and a lack of interest in learning about one's heritage. Additionally, societal pressures and discrimination can also contribute to the erasure of one's culture and heritage.
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Is astral travel a form of shifting?
Astral travel and shifting are two different concepts. Astral travel is the practice of intentionally leaving one's physical body and traveling in the astral plane, while shifting refers to the belief that one can shift their consciousness to a different reality or alternate universe. While both involve altered states of consciousness and the exploration of different planes of existence, they are distinct practices with different goals and methods. Astral travel is often associated with spiritual and metaphysical exploration, while shifting is more focused on the idea of experiencing a different reality or existence.
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Is man a creature of nature or culture, or is culture the nature of man?
Man is a complex being influenced by both nature and culture. While humans are inherently part of the natural world, our behaviors, beliefs, and practices are largely shaped by the societies we live in. Culture can be seen as the nature of man in the sense that it is a fundamental aspect of human existence, shaping our identities and interactions with the world. Ultimately, the relationship between nature and culture is intertwined in shaping the essence of humanity.
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Form
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Japan's World Heritage Sites : Unique Culture, Unique Nature
Japan's World Heritage Sites presents the exquisite temples, shrines, gardens, castles and natural wonders found throughout Japan which have now been declared UNESCO World Heritage Sites.This new edition has more convenient size and includes many newly-designated UNESCO sites including:Christian Sites in Nagasaki that tell the extraordinary story of Japan's Christians who continued to practice their faith in secret under penalty of death during Japan's feudal eraMeiji Industrial Sites which tell of the nation's rapid modernization during the Meiji periodThe Munakata Shrine to seafaring deities on a forbidding islandThe Tomioka Silk Mill which became a leader in Japan's export driveThe National Museum of Western Art, an architectural gem designed by Le CorbusierJapan expert John Dougill personally traveled to each of these sites to research this book.He tells how his journey led him from the sub-Arctic island of Hokkaido to the sub-tropical islands of the Okinawan archipelago and beyond.Tag along as he describes each place in loving detail and talks about its special historical and cultural features, including: Mount Fuji, Japan's tallest and most sacred volcano.Located on Honshu Island near Tokyo, Mt. Fuji is considered the sacred center of Japan. Himeji Castle, a monument from Japan's long feudal history.Also known as Egret Castle, because it looks like a bird taking off in flight. Horu-ji Temple, the world's oldest surviving wooden structure—a center of Buddhist learning that still serves as a seminary and monasteryThe Hiroshima Peace Memorial or Atomic-Bomb Dome—one of the few structures to partially survive the atomic blast in 1945The Ogasawara Islands, a remote archipelago of over 30 islands including Iwo Jima, that is home to rare wildlife and spectacular scenery. Readers will learn how Japan became involved with the World Heritage Sites program back in 1993, the importance of these designations, and their popularity in Japan and abroad today.Whether you are planning to travel to Japan or just enjoy learning more about this history of this unique land, Japan's World Heritage Sites is sure to inspire.
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Exploration and Discovery
The discovery and mapping of the world, its peoples, oceans and continents, are the result of centuries of exploration.This book traces the history of such travel and the pioneers who pushed back the frontiers of the known world.It explains the reasons for their journeys, whether out of scientific curiosity, to create trading opportunities, to spread religious beliefs or for personal gain or glory.With the aid of over 250 illustrations, maps and photographs, this accessible reference work captures all the excitement and spirit of adventure.
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Bad Form
Glasgow crime journalist Lassiter back with even more twists , turns and many, many more surprises.Same shady friends on opposite sides of the law. When is a school not a school? When someone asks Lassiter to investigate it. That's when. London and Glasgow gangsters, Murdered schoolteachers.Shady Policemen. Hagan under threat from London hit man? Why has an old enemy of his suddenly appeared back in Glasgow?The same old enemy who was seemingly involved in the murder of someone Hagan knew back in the sixties.Why is a tough housing scheme school so interesting to a top London politician?When Hagan's family is threatened also the uneasy alliance between Glasgow's criminals and the police resumes.Hold on tight. As usual with Lassiter nothing is what it seems. Especially not at the end!
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Is man a being of nature or culture, or is culture the nature of man?
Man is a being of both nature and culture. While humans are inherently a part of the natural world, our ability to create and participate in culture sets us apart from other species. Culture shapes our beliefs, behaviors, and interactions with the world, becoming an essential part of our identity. Therefore, culture can be seen as the nature of man, as it influences and defines our existence in profound ways.
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Which hobbies involve being outdoors in nature?
Hobbies that involve being outdoors in nature include hiking, birdwatching, gardening, camping, fishing, and photography. These activities allow individuals to connect with the natural world, breathe in fresh air, and enjoy the beauty of the outdoors. Engaging in these hobbies can also provide physical and mental health benefits, such as reducing stress and increasing physical activity.
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Which form, the general vertex form or the factored form, is meant?
The question is not specific about which type of form is being referred to. However, if the question is about a quadratic equation, the factored form is meant when referring to the form that expresses the equation as a product of two linear factors. On the other hand, the general vertex form is meant when referring to the form that expresses the equation as a combination of a vertical translation and a horizontal translation of the standard form.
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What is the function in parameter form, zero form and vertex form?
The function in parameter form is typically used to represent a function in terms of its parameters, such as the coefficients and constants that define its behavior. This form is often used in calculus and other advanced mathematical applications. The zero form of a function is a way of expressing it in terms of its roots or zeros, which are the values of the independent variable that make the function equal to zero. This form is useful for finding the solutions to equations and understanding the behavior of the function at specific points. The vertex form of a function is a way of expressing it in terms of its vertex, which is the highest or lowest point on the graph of the function. This form is often used in algebra and geometry to analyze the behavior of quadratic functions.
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